{"id":102,"date":"2021-05-15T09:52:33","date_gmt":"2021-05-15T16:52:33","guid":{"rendered":"https:\/\/www.kerryrawlinson.com\/?page_id=102"},"modified":"2026-08-30T14:18:31","modified_gmt":"2026-08-30T21:18:31","slug":"published-poems","status":"publish","type":"page","link":"https:\/\/www.kerryrawlinson.com\/?page_id=102","title":{"rendered":"\u263c poetry"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">The following poems have been published (some multigenre, some winning <a title=\"\" href=\"awards:\" target=\"_blank\" rel=\"noopener\"><strong>awards here<\/strong><\/a>&#8230;)<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\">LONGSHEET FOR PURCHASE: <a href=\"https:\/\/www.theblastedtree.com\/blog\/maps-omens-agar-3\" target=\"_blank\" rel=\"noreferrer noopener\"><strong><em>Maps, Omens &amp; Agar #3<\/em><\/strong><\/a>. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.theblastedtree.com\/maps-omens-agar-3\"><em>Maps, Omens, &amp; Agar #3<\/em><\/a> features two anagrammatic poems by <a href=\"https:\/\/www.theblastedtree.com\/kerry-rawlinson\">kerry rawlinson<\/a>. Each of rawlinson\u2019s poems is an anagram of the title and first stanza of a poem by Paul Verlain, which appears in italics alongside the new work. The Blasted Tree has produced a limited edition of 60 two-page longsheets printed on ivory linen paper and staple-bound. <em>Maps, Omens, &amp; Agar #3<\/em> is available for purchase in <a href=\"https:\/\/www.theblastedtree.com\/store\">The Blasted Tree Store<\/a> and can be read online.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">POETRY CHAPBOOKS <strong>match|book <\/strong>and <strong>fluid dynamics<\/strong> shortlisted for publication with <a href=\"https:\/\/www.ditheringchaps.com\/\" data-type=\"link\" data-id=\"https:\/\/www.ditheringchaps.com\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong><em>Dithering Chaps<\/em><\/strong><\/a> Press, 2026<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2026<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Kokanee, Spawning<\/strong>:-  Winner, <em><strong><a href=\"https:\/\/welshpoetry.co.uk\/winners-2026\/\" target=\"_blank\" rel=\"noreferrer noopener\">Welsh International Poetry Prize<\/a>,<\/strong><\/em> July\/August 2026<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>tan lines<\/strong>:- <a href=\"https:\/\/quadrant.org.au\/magazine\/poem\/kerry-rawlinson-tan-lines\/\" target=\"_blank\" rel=\"noreferrer noopener\"><em><strong>Quadrant Magazine<\/strong><\/em><\/a>, July\/August 2026<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>dent de lion<\/strong>:- <a href=\"https:\/\/poetrysociety.org.uk\/poems\/dent-de-lion\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong><em>The Poetry Society <\/em><\/strong><\/a>(Members&#8217; Poems) Spring\/Summer 2026<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Ode to a Particular Smell\u2019s Interlocution With My Cells<\/strong>:- <strong><em><a href=\"https:\/\/www.therialto.co.uk\/pages\/2026\/06\/02\/nature-and-place-winners-2026-announced\/\" target=\"_blank\" rel=\"noreferrer noopener\">Rialto Nature &amp; Place Poetry Prize<\/a>,<\/em> <\/strong>2026 (Longlist, unpublished)<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>palm trees shed shaggy<\/strong>:- <a href=\"https:\/\/haikujournal.org\/issue.php?id=69&amp;issue=69\" data-type=\"link\" data-id=\"https:\/\/haikujournal.org\/issue.php?id=69&amp;issue=69\" target=\"_blank\" rel=\"noreferrer noopener\"><em><strong>Haiku Journal<\/strong><\/em><\/a> Issue 69, 2026<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Quilting in Donetsk<\/strong>:- <a href=\"https:\/\/threelinepoetry.com\/issue-59\/\" target=\"_blank\" rel=\"noreferrer noopener\"><em><strong>Three Line Poetry <\/strong><\/em><\/a>Issue 59, 2026<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Guidelines for Fostering Butterflies<\/strong>:- <strong><a href=\"https:\/\/canlit.ca\/issues\/back-issues\/full-issue\/?issue=262\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Canadian Literature <\/em><\/a><\/strong>Vol. 262, 2026<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Donnie Creek, B.C. 2023<\/strong>:- <a href=\"https:\/\/www.southfloridapoetryjournal.com\/special-section-26.htmlhttps:\/\/www.southfloridapoetryjournal.com\/special-section-26.html\" target=\"_blank\" rel=\"noreferrer noopener\"><em><strong>South Florida Poetry Journal<\/strong><\/em><\/a> Special Section, February 2026<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>the seeker<\/strong>:- Process notes and poem, <em><a href=\"https:\/\/icefloepress.net\/2026\/01\/09\/little-fish-uncanned-the-seeker-creative-notes-for-an-erasure-project-kerry-rawlinson\/\" data-type=\"link\" data-id=\"https:\/\/icefloepress.net\/2026\/01\/09\/little-fish-uncanned-the-seeker-creative-notes-for-an-erasure-project-kerry-rawlinson\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Icefloe Press, Process\/ Marginalia\/ Otherwor(l)d(s)<\/strong><\/a> <\/em>2026. [This is from my W.I.P. entitled: \u2018Little Fish, Uncanned\u2019 which is a hybrid art-poetry manuscript created from \u2018Cannery Row&#8217; by John Steinbeck. Each poem is an erasure of one single page of this brilliant novel, and each poem is placed on a background of my original art, whether digital photo-art or some other art medium.]<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Con | Currency<\/strong>:- Longlist, <a href=\"https:\/\/thebournemouthjournal.com\/selection\/\"><em><strong>Bournemouth Writing Prize,<\/strong><\/em><\/a> 2026<\/li>\n<\/ul>\n\n\n\n<h4 class=\"wp-block-heading\">2025<\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Sparks Lake Fire, BC<\/strong>.:- <strong><a href=\"https:\/\/www.absynthe.ca\/s\/Winter-2025-v2-digital.pdf\"><em>Absynthe Poetry Journal<\/em><\/a>,<\/strong> 2025<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Shamwari for Everyone:- <\/strong><a href=\"https:\/\/thebrokenspine.co.uk\/product\/selected-poetry-autumn-2025-eds-david-hanlon-katie-jenkins-digital\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong><em>Selected Poetry: Autumn 2025<\/em><\/strong> <strong><em>Anthology<\/em><\/strong><\/a>, The Broken Spine<strong>, <\/strong>2025<\/li>\n\n\n\n<li><strong>If the Sky Should Fall:<\/strong>&#8211;<em> idem<\/em><\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>At The Stroke of Midnight:<\/strong>&#8211; 2nd Place Winner, <strong><em><a href=\"https:\/\/contemporaryverse2.ca\/2025-2-day-poem-contest-winners\/\" data-type=\"link\" data-id=\"https:\/\/contemporaryverse2.ca\/2025-2-day-poem-contest-winners\/\" target=\"_blank\" rel=\"noreferrer noopener\">CV2 2-Day Poem<\/a><\/em><\/strong> Contest, 2025<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>laughter as a change of direction:- <a href=\"https:\/\/pinholepoetry.ca\/13950-2\/#more-13950\"><em>Pinhole Poetry<\/em><\/a>,<\/strong> 2025<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Optimism is a Mutated Mule:- <a href=\"https:\/\/dreamerswriting.com\/kerry-rawlinson\/\"><em>Dreamers Creative Writing<\/em><\/a><\/strong><em>, <\/em>2025<\/li>\n\n\n\n<li><strong>Pre\/mo\/cognition<\/strong>:- <em>idem<\/em><\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Beneath Another Waning Moon:-<\/strong> Shortlist, <strong> <a href=\"https:\/\/wellsfestivalofliterature.org.uk\/competitions\/open-poetry-competition\/\" data-type=\"link\" data-id=\"https:\/\/wellsfestivalofliterature.org.uk\/competitions\/open-poetry-competition\/\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Wells Open Poetry<\/em><\/a><\/strong>, 2025<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Eternal<\/strong>:- <a href=\"https:\/\/www.cgreview.org\/magazine\/eternal\" data-type=\"link\" data-id=\"https:\/\/www.cgreview.org\/magazine\/eternal\"><strong><em>Common Ground Review, <\/em><\/strong><\/a>spring\/ summer 2025<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>hey, be grateful:<\/strong>&#8211; Honorable Mention: <a href=\"https:\/\/hungryhillwriting.org\/pmp2025\/#\" target=\"_blank\" rel=\"noreferrer noopener\"> <em><strong>Hungry Hill Writing:  Poets Meet Politics<\/strong><\/em><\/a> Series, 2025<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Amongst the Scaveners<\/strong>:- <a href=\"https:\/\/wildroofjournal.com\/issue-30-gallery-3\/#kerryrawlinson\" target=\"_blank\" rel=\"noreferrer noopener\"><strong><em>Wild Roof Journal<\/em><\/strong><\/a> Issue 23, Gallery 3, 2025. This is from my W.I.P. entitled: \u2018Little Fish, Uncanned\u2019 which is a hybrid art-poetry manuscript created from \u2018Cannery Row,\u2018 by John Steinbeck. Each poem is an erasure of one single page of this brilliant novel, and each poem is placed on a background of my original art, whether digital photo-art or some other art medium.<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>heart-to-heart with my younger self<\/strong>;- <a href=\"https:\/\/samanthaterrell.weebly.com\/shine-poetry-series\" target=\"_blank\" rel=\"noreferrer noopener\"><em><strong>SHINE Poetry Series<\/strong><\/em><\/a><em> by <\/em><a href=\"https:\/\/samanthaterrell.weebly.com\/shine-poetry-series\"><em>Samantha Terrell<\/em><\/a>, 2025<\/li>\n\n\n\n<li><strong>Punch &amp; Judy<\/strong>:- <em>idem<\/em><\/li>\n\n\n\n<li><strong>Stealing Apples<\/strong>:- <em>idem<\/em><\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Tomorrow, A Different Universe<\/strong>:- Winner:  <a href=\"https:\/\/newmillenniumwritings.org\/tomorrow-a-different-universe-kerry-rawlinson\/\" target=\"_blank\" rel=\"noreferrer noopener\"><em><strong>New Millennium Writings<\/strong><\/em><\/a> Poetry Prize, 2024<\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2024<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>In the Eastern Townships, Quebec<\/strong>:- Winner: <strong><a href=\"https:\/\/canterburyfestival.co.uk\/announcement-of-poet-of-the-year-2024-winners-and-the-judges-comments\/\" target=\"_blank\" rel=\"noopener\" title=\"\"><em>Canterbury Poet of the Year<\/em><\/a> <\/strong>2024 (Joint prize)<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>a brutish numbing<\/strong>:- Winner: <strong><em><a href=\"http:\/\/www.princemere.com\/\" target=\"_blank\" rel=\"noopener\" title=\"Princemere Poetry Prize\">Princemere Poetry Prize<\/a> <\/em><\/strong>2023. My deepest gratitude to Mark Stevick &amp; judges for this privilege.<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>winter mists<\/strong>:- <a href=\"https:\/\/bsky.app\/profile\/haikucrush.bsky.social\/post\/3ldbqz6t5m22i\" target=\"_blank\" rel=\"noreferrer noopener\"><em><strong>Haiku Crush<\/strong><\/em><\/a> Annual Best Haiku Anthology, 2024 &#8211; Longlist, published<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>SIX PIECES:-<\/strong>  3 visual poetry erasures (vispo) and 3 traditional poems, published in <em>Geographies 2022<\/em> of<em><strong> <a href=\"https:\/\/icefloepress.net\/2024\/05\/17\/3-poems-and-3-vispo-erasures-kerry-rawlinson\/\" target=\"_blank\" rel=\"noopener\" title=\"Icefloe Press\">Icefloe Press<\/a><\/strong><\/em>, May 2024. Gratitude in spades to Robert Frede Kenter <a href=\"https:\/\/x.com\/frede_kenter\" target=\"_blank\" rel=\"noopener\" title=\"@Frede_Kenter\">@Frede_Kenter<\/a>. The vispo pieces are from my&nbsp;W.I.P. entitled: \u2018<em>Little Fish, Uncanned<\/em>\u2019 which is a hybrid art-poetry manuscript created from \u2018<em>Cannery Row,<\/em>\u2018 by John Steinbeck.&nbsp;Each poem is an erasure of one single page of this brilliant novel, and each poem is placed on a background of my original art, whether digital photo-art or some other art medium.\n<ul class=\"wp-block-list\">\n<li>How Do You Own Disorder, Disorder (<em>Little Fish, Uncanned<\/em>)<\/li>\n\n\n\n<li>keep moving (<em>Little Fish, Uncanned<\/em>)<\/li>\n\n\n\n<li>The Specimen (<em>Little Fish, Uncanned<\/em>)<\/li>\n\n\n\n<li>how now black Dow<\/li>\n\n\n\n<li>heretical reflections<\/li>\n\n\n\n<li>October in the year of Penury<\/li>\n<\/ul>\n<\/li>\n\n\n\n<li><strong>dinosaur egg:-<\/strong> <strong>League of Canadian Poets<\/strong> &#8220;<em><strong><a title=\"Poetry Pause\" href=\"https:\/\/poets.ca\/dinosaur-egg-kerry-rawlinson\/\" target=\"_blank\" rel=\"noopener\">Poetry Pause<\/a><\/strong><\/em>&#8221; series, 2024. Gratitude to Nic Brewer.<\/li>\n\n\n\n<li><strong>the messenger:- <a title=\"\" href=\"https:\/\/www.press53.com\/issue-257-poetry-short-fiction\" target=\"_blank\" rel=\"noopener\"><em>Prime Number Magazine, Press 53<\/em>, Issue 257<\/a><\/strong>, 2024 Thank you Anna Elkins @artwordspirit, guest judge<\/li>\n\n\n\n<li><strong>a consonant, a vowel:- <em><a href=\"https:\/\/fillingstation.myshopify.com\/products\/filling-station-issue-82\" target=\"_blank\" rel=\"noreferrer noopener\">filling Station<\/a><\/em><\/strong>, 2024<\/li>\n\n\n\n<li><strong>the snow on rocks<\/strong>:-<a href=\"https:\/\/www.passagerbooks.com\/2024-passager-winter-issue-76\/\" target=\"_blank\" rel=\"noopener\" title=\"\"><em><strong>Passager<\/strong><\/em><\/a><em>,<\/em> 2024<\/li>\n\n\n\n<li><strong><a href=\"https:\/\/www.fruithanginglow.com\/poetry\"><em>low hanging fruit<\/em><\/a><\/strong>, 2024\n<ul class=\"wp-block-list\">\n<li><strong>starlight;<\/strong><\/li>\n\n\n\n<li><strong>why;<\/strong><\/li>\n\n\n\n<li><strong>Sunday Cutlery<\/strong><\/li>\n<\/ul>\n<\/li>\n\n\n\n<li><strong>all the horses of love:- <a href=\"https:\/\/www.bournemouthwritingfestival.co.uk\/writing-competition\"><em>Bournemouth Poetry Prize<\/em><\/a><em>,<\/em><\/strong> 2024 (longlist, unpublished)<\/li>\n\n\n\n<li><strong>How to Make a Summer Souffle:<\/strong>&#8211; <a href=\"https:\/\/www.touchstonekstate.org\/poems\/2024\/1\/17\/how-to-make-a-summer-souffl\" target=\"_blank\" rel=\"noopener\" title=\"\"><strong><em>Touchstone Literary Magazine<\/em><\/strong><\/a><em><strong>,<\/strong> <\/em>2024 (Pop-Up Project Spotlight)<\/li>\n\n\n\n<li><strong>Snowsongs<\/strong>:- <a> <\/a><a href=\"https:\/\/pinholepoetry.ca\/4640-2\/\" target=\"_blank\" rel=\"noopener\" title=\"\"><strong><em>Pinhole Poetry<\/em><\/strong><\/a><em><strong>,<\/strong><\/em> Jan 2024<\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2023<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Friday; Saturday<\/strong>:- <em><strong>Novus Literary Arts Journal<\/strong><\/em>, Winter 2023<\/li>\n\n\n\n<li><strong>paper cuts<\/strong>:- <a href=\"https:\/\/www.drunkmonkeys.us\/2017-posts\/2023\/11\/27\/poetry-paper-cuts-kerry-rawlinson\" target=\"_blank\" rel=\"noopener\" title=\"\"><em><strong>Drunk Monkeys<\/strong><\/em>,<\/a> 2023<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"http:\/\/www.ucityreview.com\/27_Rawlinson_Kerry.html\" target=\"_blank\" rel=\"noreferrer noopener\"><strong><em>UCity Review<\/em>,<\/strong><\/a> 2023:-\n<ul class=\"wp-block-list\">\n<li>I find I&#8217;m a lot like Lot&#8217;s wife;<\/li>\n\n\n\n<li>star detour;<\/li>\n\n\n\n<li>Marengo\u2019s Lament;<\/li>\n\n\n\n<li>Sunset, Wolfville;<\/li>\n\n\n\n<li>Ode to the Roofers;<\/li>\n\n\n\n<li>memento mori, while walking;<\/li>\n\n\n\n<li>lachrymae;<\/li>\n\n\n\n<li>points of tangency;<\/li>\n\n\n\n<li>Harbour;<\/li>\n\n\n\n<li>Housekeeping Chores<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>something&#8217;s bubbling &#8211;<\/strong> <em><strong><a href=\"https:\/\/wildroofjournal.com\/issue-23-gallery-3\/\" target=\"_blank\" rel=\"noopener\" title=\"WIld Roof Journal\">WIld Roof Journal<\/a><\/strong><\/em> Issue 23, 2023. This is a sample page from my WIP entitled <strong><em>&#8216;Little Fishes, Uncanned<\/em><\/strong>&#8216; which is erasure poetry of each page of John Steinbeck&#8217;s &#8216;Cannery Row&#8221;, placed upon a background of original art or digital art-photography. Thank you Aaron Lelito<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>The Unwanted Tenant<\/strong> &#8211; <em>The Suburban Review<\/em> <strong><em><a href=\"https:\/\/thesuburbanreview.com\/product\/hills-hoist-volume-3\/\" target=\"_blank\" rel=\"noopener\" title=\"Hills Hoist Vol. 3\">Hills Hoist Vol. 3<\/a><\/em><\/strong>, 2023. Gratitude to Erin McFadyen<\/li>\n\n\n\n<li><strong>it&#8217;s an irony<\/strong> &#8211; <em><strong><a href=\"https:\/\/topictakeup.com\/2023\/07\/29\/its-an-irony\/\" target=\"_blank\" rel=\"noopener\" title=\"Topic Take Up\">Topic Take Up<\/a>,<\/strong><\/em> 2023<\/li>\n\n\n\n<li><strong>we few<\/strong> &#8211; <em><strong><a href=\"https:\/\/mailchi.mp\/abddf4feb1b4\/proverse-hong-kong-results-newsletter-november-2022\" target=\"_blank\" rel=\"noopener\" title=\"\">Proverse Poetry Prize<\/a><\/strong>, <\/em>2023 (Finalist, published)<\/li>\n\n\n\n<li><strong>Montreal Summer<\/strong> &#8211; <em><a href=\"https:\/\/freefallmagazine.ca\/magazine\/volume-xxxiii-number-1\/\" target=\"_blank\" rel=\"noopener\" title=\"\"><strong>Freefall Magazine<\/strong><\/a><\/em>, 2023 <\/li>\n\n\n\n<li><strong>impressions: how things fit<\/strong> &#8211; <em><strong><a href=\"https:\/\/grainmagazine.ca\/\" target=\"_blank\" rel=\"noopener\" title=\"\">Grain Magazine Vol.50.4<\/a><\/strong><\/em>, 2023<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Six poems, two of them brand new, with <em><a href=\"https:\/\/rochfordstreetreview.com\/2023\/03\/13\/kerry-rawlinson-6-poems\/\" target=\"_blank\" rel=\"noopener\" title=\"\"><strong>Rochford Street Review<\/strong> <\/a><\/em>out of NSW, Australia, 2023\n<ul class=\"wp-block-list\">\n<li>&#8216;<strong><a href=\"https:\/\/rochfordstreetreview.com\/2023\/03\/13\/kerry-rawlinson-6-poems\/\" target=\"_blank\" rel=\"noopener\" title=\"hills are slipping in the rain\"><em>hills are slipping in the rain<\/em><\/a><\/strong>&#8216; and &#8216;<strong><a href=\"https:\/\/rochfordstreetreview.com\/2023\/03\/13\/kerry-rawlinson-6-poems\/\" target=\"_blank\" rel=\"noopener\" title=\"her black teeth | my white\"><em>her black teeth | my white<\/em><\/a><\/strong>&#8216; which is a fractured sonnet &amp; also a concrete poem;<\/li>\n\n\n\n<li>selections of previously published work.<\/li>\n\n\n\n<li>My thanks to Mark.<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2022<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>In Brand New Coats<\/strong> &#8211; Long listed for <em><a href=\"https:\/\/canterburyfestival.co.uk\/poet-of-the-year-competition-2022-the-long-list-is-announced\/#\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Canterbury Poet of the Year<\/strong><\/a><\/em>, 2022<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Quantum Theory is a Baby Chimpanzee; garden riches<\/strong> &#8211; <strong>\u2018<em><a href=\"https:\/\/www.dualityjournal.com\/home\" target=\"_blank\" rel=\"noopener\" title=\"\">Duality<\/a><\/em>\u2019<\/strong> Anthology, <em>ambidextrous bloodhound press,<\/em> Issue 1, 2022<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>feed me<\/strong> &#8211; <em><a href=\"https:\/\/www.thepedestalmagazine.com\/kerry-rawlinson-feed-me\/\" target=\"_blank\" rel=\"noopener\" title=\"\"><strong>Pedestal Magazine<\/strong><\/a><\/em>, Issue 90, 2022<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Flower of Peace<\/strong> \u2013<strong> <a href=\"https:\/\/artsci.laverne.edu\/prism\/issues-samples\/\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Prism Review<\/em><\/a><\/strong> Issue 24, 2022<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Maps, Omens &amp; Agar, #3<\/strong> &#8211; <a href=\"http:\/\/www.theblastedtree.com\/maps-omens-agar-3\" target=\"_blank\" rel=\"noreferrer noopener\"><em><strong>Blasted Tree Press<\/strong><\/em><\/a>, 2022. Anagram poems produced in Longsheet format, of two poems by Paul Verlain. The title is an anagram of &#8216;Anagrams &amp; Poems&#8217;<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>shadow detachment <\/strong>&#8211; with artwork &#8211; <strong><em><a href=\"https:\/\/www.bookdepository.com\/Photology-Aldobranti-Fosco\/9781999584757?ref=grid-view&amp;qid=1634909072911&amp;sr=1-1\" target=\"_blank\" rel=\"noreferrer noopener\">Photology<\/a><\/em> <\/strong>by Aldobranti Fosco, 2022<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>A Question of Power <\/strong>&#8211; <a href=\"https:\/\/grainmagazine.ca\/\" target=\"_blank\" rel=\"noreferrer noopener\"><em><strong>Grain Magazine<\/strong><\/em><\/a> 49.3, 2022<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>the girl who swallowed a bird:- <\/strong><a href=\"https:\/\/ojalart.com\/poetry-all-forms-styleskerry-rawlinsonthe-girl-who-swallowed-a-bird\/\" target=\"_blank\" rel=\"noreferrer noopener\"><em><strong>Open: Journal of Arts &amp; Letters (O:JA&amp;L<\/strong>)<\/em><\/a>, 2022<\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2021<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Highway 97<\/strong>; <strong>Seal<\/strong> &#8211;<strong> <a href=\"https:\/\/www.eventmagazine.ca\/shop\/product\/current-issue\/event-502\/\"><em>Event Poetry &amp; Prose<\/em><\/a><em>,<\/em><\/strong> Issue 50-2, 2021<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>by mouth<\/strong> &#8211; <em><strong><a href=\"https:\/\/www.prairiefire.ca\/shop\/spring-2021-volume-42-no-1\/\" target=\"_blank\" rel=\"noreferrer noopener\" title=\"Prairie Fire\">Prairie Fire<\/a><\/strong><\/em> Issue 42 #1. <em>Thank you so much<\/em><strong> Barbara Schott &amp; the team @PrairieFireMag, <\/strong>the greatest editors around.<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Do Not Read In Bed<\/strong> &#8211; Privileged and grateful to have my work selected for <strong>&#8220;Backstory to the Poem&#8221;<\/strong> Blogspot by @ChristalACoope1 <a href=\"https:\/\/href.li\/?http:\/\/chrisricecooper.blogspot.com\/2021\/03\/kerry-rawlinsons-do-not-read-in-bed-is.html?m=1\" target=\"_blank\" rel=\"noreferrer noopener\"><em><strong>here<\/strong><\/em><\/a>.<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>2 Erasure poems, w\/ original artwork<\/strong>  &#8211; <strong><em><a rel=\"noreferrer noopener\" href=\"https:\/\/href.li\/?https:\/\/unlostjournal.com\/kerry-rawlinson\/\" target=\"_blank\">Unlost Journal.<\/a><\/em><\/strong> Thank you Dale Wisely &amp; <em>@unlostjournal. <\/em>(I loved doing these)<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Lady Mondegreen<\/strong> &#8211; Published in Carousel Magazine <a rel=\"noreferrer noopener\" href=\"https:\/\/href.li\/?https:\/\/twitter.com\/carouselmagazine\" target=\"_blank\">@carouselmagazine<\/a> as a Chain poem, <a rel=\"noreferrer noopener\" href=\"https:\/\/href.li\/?http:\/\/carouselmagazine.ca\/chain4-kerryrawlinson\/\" target=\"_blank\"><strong><em>Here;<\/em><\/strong><\/a> and <strong><em><a rel=\"noreferrer noopener\" href=\"https:\/\/href.li\/?https:\/\/www.instagram.com\/p\/CIQx06WgdnG\/\" target=\"_blank\">Here<\/a>,&nbsp;<\/em><\/strong>in response to Roxanna Bennett&#8217;s CHAIN 3, the brilliant&nbsp;&#8216;M\u00e9ni\u00e8re\u2019s Apophenia\u2019 and the outstanding work linked before hers. <em>Thanks to<\/em> Mark Laliberte @OriginObscure <em>for being an outstanding Editor.<\/em><\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Canada Geese;<\/strong> <strong>diving bell<\/strong> &#8211; <em><strong><a rel=\"noreferrer noopener\" href=\"https:\/\/cagibilit.com\/two-poems-by-kerry-rawlinson\/\" target=\"_blank\">Cagibi<\/a><\/strong><\/em><a href=\"https:\/\/cagibilit.com\/two-poems-by-kerry-rawlinson\/\"><em>,<\/em><\/a> 2021<\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2020<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>break\/ fast<\/strong> &#8211; <strong><a href=\"https:\/\/www.proversepublishing.com\/yahoo_site_admin\/assets\/docs\/PPP2020_Anthology_poets__1st-2nd-3rd-_special_mentions.328180952.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Proverse Press<\/em>;<\/a><\/strong> \u201c<a href=\"https:\/\/cup.cuhk.edu.hk\/MingledVoices5\" target=\"_blank\" rel=\"noreferrer noopener\">Mingled Voices 5<\/a>\u201d (Special Mention) 2021<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>winter osprey<\/strong> &#8211; <strong><em><a rel=\"noreferrer noopener\" href=\"https:\/\/href.li\/?https:\/\/www.drunkmonkeys.us\/2017-posts\/2020\/10\/19\/poetry-winter-osprey-kerry-rawlinson\" target=\"_blank\">Drunk Monkeys Literature<\/a><\/em><\/strong>&nbsp;2020.&nbsp;<em>Thank you so much <\/em><strong>@KolleenCarney &amp; <a rel=\"noreferrer noopener\" href=\"https:\/\/drunkmonkeysweb.tumblr.com\/\" target=\"_blank\">@drunkmonkeysweb<\/a><\/strong><\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Notre Dame\u2019s Bees<\/strong> &#8211; <strong><a href=\"http:\/\/prospectusliterary.com\/issues2020.php\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Prospectus: A Literary Offering<\/em><\/a><em>,<\/em><\/strong> Issue #3, 2020\/21<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>I\u2019ll plaice a fish in your lap<\/strong> &#8211; <em><strong><a rel=\"noreferrer noopener\" href=\"https:\/\/cagibilit.com\/ill-plaice-a-fish-in-your-lap\/\" target=\"_blank\">Cagibi<\/a>,<\/strong><\/em> 2020<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>gone birds<\/strong> &#8211; <em><strong><a href=\"https:\/\/reviewcanada.ca\/magazine\/contributors\/kerry-rawlinson\/\" target=\"_blank\" rel=\"noreferrer noopener\">Literary Review of Canada<\/a><\/strong><\/em><a href=\"https:\/\/reviewcanada.ca\/magazine\/contributors\/kerry-rawlinson\/\">,<\/a> 2020<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Our Bodies Break into Fire Ants<\/strong> &#8211; <strong><a rel=\"noreferrer noopener\" href=\"https:\/\/www.bansheelit.com\/shop\/issue10\" target=\"_blank\"><em>Banshee Lit<\/em><\/a><em>,<\/em> <\/strong>Issue 10, 2020<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Postcard from Zambia<\/strong> &#8211; <a href=\"https:\/\/queenmobs.com\/2020\/03\/postcard-from-zambia\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong><em>Queen Mob\u2019s Teahouse<\/em><\/strong><\/a><em><strong>, <\/strong><\/em>2020 Part of my &#8220;Postcards from Everywhere&#8221; series, this poem is called &#8220;When Two Elephants Fight, it&#8217;s the Grass That Suffers.&#8221;<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Tracey\u2019s Moon;<\/strong><\/li>\n\n\n\n<li><strong>Voyageur;<\/strong><\/li>\n\n\n\n<li><strong>The Riddle of Place, online<em> here<\/em><\/strong>&#8230;<\/li>\n\n\n\n<li><strong>shovel out the golden ones<\/strong>  &#8211; <a href=\"https:\/\/www.amazon.com\/dp\/B0874F4XPV\/ref=sr_1_4?dchild=1&amp;keywords=foreign+literary+journal&amp;qid=1586902577&amp;sr=8-4\" target=\"_blank\" rel=\"noreferrer noopener\"><em><strong>Foreign Literary,<\/strong><\/em><\/a> 2020 <\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\">up to <strong>2019<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>halfway between heaven &amp; hard cement;<\/strong><\/li>\n\n\n\n<li><strong>reflective constructs<\/strong> &#8211;  <a href=\"https:\/\/acrossthemargin.com\/two-poems-by-kerry-rawlinson\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong><em>Across the Margin<\/em><\/strong><\/a><em><strong>,<\/strong> <\/em>2019<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>kindling<\/strong> &#8211; <a href=\"https:\/\/www.fishpublishing.com\/2019\/05\/15\/poetry-prize-2019-results-short-long-lists\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong><em>Fish Publishing Poetry Prize<\/em><\/strong><\/a><em><strong>,<\/strong><\/em> 2019 (Honorable Mention); Also on <a href=\"https:\/\/www.youtube.com\/watch?v=Fo8R2YkLGrM\"><strong><em>Poetry Archive<\/em><\/strong><\/a><\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Haiku for Crow<\/strong> &#8211; <a href=\"http:\/\/www.haikuniverse.com\/haiku-by-kerry-rawlinson\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong><em>Haikuniverse<\/em>,<\/strong><\/a> 2019<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>On Returning to Hawkshead<\/strong> &#8211; <strong><a href=\"https:\/\/www.placesofpoetry.org.uk\/\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Poetry of Place<\/em><\/a><em>,<\/em> <\/strong>2019<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>The Grape Cape<\/strong> &#8211; <a href=\"https:\/\/visualverse.org\/images\/daniel-frost\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong><em>Visual Verse<\/em><\/strong><\/a><em><strong>,<\/strong><\/em> Feb 2018<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Shear<\/strong> &#8211; <em><strong><a href=\"http:\/\/pbqmag.org\/kerry-rawlinson-shear-2\/\" target=\"_blank\" rel=\"noreferrer noopener\">Painted Bride Quarterly<\/a>, <\/strong><\/em>2018<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Ghazal for Running Away from the Circus<\/strong> &#8211; <em><a href=\"https:\/\/www.thepedestalmagazine.com\/kerry-rawlinson-ghazal-for-running-away-from-the-circus\/\" target=\"_blank\" rel=\"noreferrer noopener\">Pedestal Magazine<\/a><\/em><a href=\"https:\/\/www.thepedestalmagazine.com\/kerry-rawlinson-ghazal-for-running-away-from-the-circus\/\">,<\/a> 2018<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Camping in Concrete<\/strong> &#8211; <em><a rel=\"noreferrer noopener\" href=\"https:\/\/feathertale.com\/product\/issue-22\/\" target=\"_blank\">Feathertale Review<\/a><\/em>, 2018<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>ammonite, unreconciled to extinction<\/strong> &#8211; <strong><a href=\"http:\/\/ctpoetry.net\/publications.html\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Connecticut River Review<\/em><\/a>, <\/strong>2018<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>savage lands<\/strong> &#8211; <em><a href=\"http:\/\/reviewcanada.ca\/magazine\/contributors\/kerry-rawlinson\/\" target=\"_blank\" rel=\"noreferrer noopener\">L<\/a><\/em><strong><em><a href=\"http:\/\/reviewcanada.ca\/magazine\/contributors\/kerry-rawlinson\/\" target=\"_blank\" rel=\"noreferrer noopener\">iterary Review of Canada<\/a>,<\/em> <\/strong>2018 (Notable Poem in <a href=\"http:\/\/rollofnickels.blogspot.com\/2019\/10\/best-canadian-poetry-2019-is-here.html\" target=\"_blank\" rel=\"noreferrer noopener\"><strong><em>Best Canadian Poetry 2019<\/em><\/strong><\/a><em><strong>)<\/strong><\/em><\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Aubade in May<\/strong>&#8211; <strong><em><a href=\"http:\/\/www.proversepublishing.com\/yahoo_site_admin\/assets\/docs\/PPPInfo_T_B_posted_on_2017_Nov_16.32033751.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Proverse Press, Hong Kong,<\/a><\/em> <\/strong>2018 (Honorable Mention)<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Funhouse;<\/strong><\/li>\n\n\n\n<li><strong>Compadres;<\/strong><\/li>\n\n\n\n<li><strong>In January In Alberta<\/strong> &#8211; <em><strong><a href=\"http:\/\/www.greybordersmagazine.jigsy.com\/issues\" target=\"_blank\" rel=\"noreferrer noopener\" title=\"http:\/\/www.greybordersmagazine.jigsy.com\/issues\">Grey Borders<\/a><\/strong> <\/em>April Issue,  2018<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>let me sleep with knees<\/strong> &#8211; <strong><em><a href=\"https:\/\/preludemag.com\/posts\/let-me-sleep-with-knees\/\" target=\"_blank\" rel=\"noreferrer noopener\">Prelude<\/a>,<\/em> <\/strong>2018<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>We\u2019re All On Fire<\/strong> &#8211; <em>subterranean blue<\/em>&#8211;<strong><a href=\"http:\/\/www.subterraneanbluepoetry.com\/PoetryEBooks.TheGoldenOracleAnthology.html\" target=\"_blank\" rel=\"noreferrer noopener\">Golden Oracle<\/a> <\/strong>contest, 2018 (Honorable Mention)<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Intersects<\/strong> &#8211; <strong><a rel=\"noreferrer noopener\" href=\"\/Users\/Kerry\/OneDrive\/kri\/Regal%20house%20Publishing%20\u2013%20\" target=\"_blank\">Regal House Publishing,<\/a> <a href=\"https:\/\/regalhousepublishing.com\/product\/howling-up-to-the-sky\/\" target=\"_blank\" rel=\"noreferrer noopener\"><em>\u201cHowling Up To the Sky\u201d <\/em>Anthology<\/a>, <\/strong>2018<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>bodyparts &amp; recipes<\/strong> &#8211; <em><strong><a href=\"http:\/\/www.riddledwitharrows.com\/issue-1-4-toc\/poetry\/\" target=\"_blank\" rel=\"noreferrer noopener\">Riddled With Arrows<\/a>,<\/strong><\/em> 2017 (Nominated for Sundress Best of the Net, 2018)<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Dear St. Christopher;<\/strong><\/li>\n\n\n\n<li><strong>White Skulls<\/strong> &#8211; <em><strong><a rel=\"noreferrer noopener\" href=\"https:\/\/diggingthroughthefat.com\/2018\/03\/16\/community-no-25\/\" target=\"_blank\">Digging Through the Fat:<\/a> <\/strong><\/em>Community #25 \u2013 Promotion<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>trophy<\/strong> &#8211; <strong><em><a href=\"https:\/\/www.salomelit.com\/buy-issues\/issue3strength\" target=\"_blank\" rel=\"noreferrer noopener\">Salom\u00e9<\/a>,<\/em> <\/strong>2017<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>freedom\u2019s long walk<\/strong> &#8211; <em><a rel=\"noreferrer noopener\" href=\"http:\/\/arcpoetry.ca\/2017\/09\/26\/arc-poetry-magazine-84-oh-canada-we-have-issues\/\" target=\"_blank\">Arc Poetry<\/a>, <\/em>2017<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>dove<\/strong> &#8211; <em><strong><a href=\"https:\/\/www.polarexpressions.ca\/ContestResults\/ContestResults2017.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Polar Expressions Publishing<\/a>,<\/strong> Let\u2019s Fly Away<\/em> Anthology, 2017:- (Honourable Mention)<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>gratuitous;<\/strong><\/li>\n\n\n\n<li><strong>When Her Heart Is Breaking<\/strong> &#8211; <em><a href=\"http:\/\/www.vineleavespress.com\/vine-leaves-literary-journal-a-collection-of-vignettes-from-across-the-globe.html\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Vine Leaves Press<\/strong><\/a>, A Collection of Vignettes from Across the Globe<\/em>, 2017<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>White Skulls<\/strong> &#8211; <strong><em><a href=\"https:\/\/bonedstories.wordpress.com\/2017\/10\/17\/white-skulls\/\" target=\"_blank\" rel=\"noreferrer noopener\">Boned<\/a>: <\/em><\/strong><em>A Collection of Skeletal Writings<\/em>, 2017&nbsp;<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Man in a Shed<\/strong> &#8211; <em><a href=\"http:\/\/thesongis.blogspot.ca\/2017\/08\/welcome-to-kerry-rawlinson.html\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>The song is\u2026<\/strong><\/a><\/em> 2017<strong>Allelomimesis<\/strong> &#8211; <em><strong><a href=\"http:\/\/jasperproject.org\/fall-lines\/\" target=\"_blank\" rel=\"noreferrer noopener\">Fall Lines (A Jasper Project),<\/a> <\/strong><\/em>2017<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Desert Storm<\/strong> &#8211; <em><strong><a href=\"http:\/\/www.thepedestalmagazine.com\/kerry-rawlinson-desert-storm\/\" target=\"_blank\" rel=\"noreferrer noopener\">Pedestal Magazine<\/a>,<\/strong><\/em> 2017<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>cover me;<\/strong><\/li>\n\n\n\n<li><strong>sex in the tub;<\/strong><\/li>\n\n\n\n<li><strong>american dream<\/strong> &#8211; <strong><a href=\"http:\/\/heroinchic.weebly.com\/blog\/poetry-photography-by-kerry-rawlinson\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Anti-Herion Chic<\/em><\/a>; <\/strong>2017&nbsp;<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Number 99<\/strong> &#8211; <em><a href=\"http:\/\/ww.graysonbooks.com\/forgotten-women.html\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Forgotten Women,<\/strong><\/a><\/em> <em>A Tribute in Poetry,<\/em> Grayson Books, 2017; Nominated for a <a href=\"https:\/\/poetryofpresencebook.com\/2017\/10\/12\/barrowss-lessons-from-darkness-nominated-for-pushcart\/\" target=\"_blank\" rel=\"noreferrer noopener\">Pushcart<\/a> (scroll down to Oct 12 in the link \u201cBarrows&#8217;s\u201d)<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Echo<\/strong> &#8211; <strong><em><a href=\"https:\/\/issuu.com\/centrifugaleye\/docs\/tceautumnwinter_2016_-_10thanniv\" target=\"_blank\" rel=\"noreferrer noopener\">The Centrifugal Eye, 10th Anniversary Issue<\/a>,<\/em>&nbsp;<\/strong> <em>A Celebration of Poets<\/em>, 2017<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Dear St. Christopher<\/strong> &#8211; <em><a href=\"http:\/\/www.pioneertownlit.com\/dear-st-christopher-by-kerry-rawlinson\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>pioneertown<\/strong><\/a> <\/em>literary journal, 2017<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Great White North<\/strong> &#8211; <em><strong><a href=\"https:\/\/vintage.storymirror.com\/poem\/57f943352086f74a18a09ffd\" target=\"_blank\" rel=\"noreferrer noopener\">Story Mirror<\/a>, <\/strong><\/em>2016<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Rocks, at a Certain Latitude<\/strong> &#8211; <strong><em><a rel=\"noreferrer noopener\" href=\"https:\/\/minolareview.squarespace.com\/kerry\" target=\"_blank\">Minola Review<\/a><\/em>,<\/strong> 2016<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Journeys (Young Boy);<\/strong><\/li>\n\n\n\n<li><strong>Yucca Memories<\/strong> &#8211; <em><strong><a rel=\"noreferrer noopener\" href=\"http:\/\/www.section8magazine.com\/yucca-memories\/\" target=\"_blank\">Section8 Magazine<\/a>, <\/strong><\/em>(defunct) 2016 and <em><strong><a href=\"http:\/\/malarkeybooks.com\/derelictpoetry\/2020\/3\/13\/two-poems-by-kerry-rawlinson\" target=\"_blank\" rel=\"noreferrer noopener\">Derelict Lit<\/a>,<\/strong> <\/em>2020<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>grey jeep<\/strong><\/li>\n\n\n\n<li><strong>I am Coyote<\/strong> &#8211; <em><strong><a href=\"http:\/\/www.righthandpointing.net\/#!98-kerry-rawlinson\/c1g4p\" target=\"_blank\" rel=\"noreferrer noopener\">right hand pointing<\/a>, <\/strong><\/em>2016<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Ganymede reads her mama\u2019s text<\/strong> &#8211; <em><a href=\"https:\/\/duotrope.com\/listing\/8798\/codex-journal\" target=\"_blank\" rel=\"noreferrer noopener\">Codex<\/a>,<\/em> 2015<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>touch<\/strong> &#8211; <a style=\"font-weight: bold;\" href=\"http:\/\/mainstreetragbookstore.com\/?product=crossing-lines\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Main Street Rag<\/em>, \u201cCrossing Lines\u201d<\/a><b> <\/b>Anthology, 2015<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Leaving Vegas<\/strong> &#8211; <em><strong><a rel=\"noreferrer noopener\" href=\"https:\/\/www.newpages.com\/item\/26641-the-midwest-quarterly-2014-08\" target=\"_blank\">The Midwest Quarterly<\/a> <\/strong><\/em>Vol 55 #2; Rural and Urban, 2014:<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>The Language of Jasper<\/strong> &#8211; <a rel=\"noreferrer noopener\" href=\"https:\/\/canlit.ca\/article\/the-language-of-jasper\/\" target=\"_blank\"><strong><em>Canadian Literature<\/em><\/strong><\/a><a rel=\"noreferrer noopener\" href=\"https:\/\/canlit.ca\/canlit_authors\/kerry-rawlinson\/\" target=\"_blank\"><strong>;<\/strong><\/a> 2014<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Foot, As Desert Landscape<\/strong>        <em>Lantern Journal<\/em> (defunct) 2014<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Wind Memory, Kenya;<\/strong><\/li>\n\n\n\n<li><strong>Svidrigailov, you have not wound the clock&#8230;;<\/strong><\/li>\n\n\n\n<li><strong>African Noon<\/strong> &#8211; <em><strong><a href=\"https:\/\/www.amazon.com\/Tic-Toc-Various-Authors\/dp\/149950196X\/ref=sr_1_2?ie=UTF8&amp;qid=1403374993&amp;sr=8-2&amp;keywords=A.J.+Huffman+poetry#reader_149950196X\" target=\"_blank\" rel=\"noreferrer noopener\">Kind of a Hurricane Press<\/a><\/strong><\/em><a href=\"https:\/\/www.amazon.com\/Tic-Toc-Various-Authors\/dp\/149950196X\/ref=sr_1_2?ie=UTF8&amp;qid=1403374993&amp;sr=8-2&amp;keywords=A.J.+Huffman+poetry#reader_149950196X\"><strong> \u201cTic Toc\u201d Anthology,<\/strong><\/a> 2014<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>shark\u2019s teeth;<\/strong><\/li>\n\n\n\n<li><strong>fear of falling<\/strong> &#8211; <em>Midwest Writing Centre &#8211; <\/em><strong><em><a href=\"http:\/\/www.mwcqc.org\/page\/4\/?s=mississippi+valley\" target=\"_blank\" rel=\"noreferrer noopener\">Mississippi Valley<\/a><\/em><a href=\"http:\/\/www.mwcqc.org\/page\/4\/?s=mississippi+valley\"> Contest<\/a>;<\/strong> published in \u201c<a href=\"http:\/\/www.mwcqc.org\/books\/off-channel-vol-5\/\" target=\"_blank\" rel=\"noreferrer noopener\">Off Channel Vol 5<\/a>\u201d, 2014 (Finalist)<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>connections;<\/strong><\/li>\n\n\n\n<li><strong>It\u2019s hot and cold<\/strong> &#8211; <strong><em><a rel=\"noreferrer noopener\" href=\"http:\/\/www.ditchpoetry.com\/kerryrawlinson.htm\" target=\"_blank\">ditchpoetry<\/a>;<\/em> <\/strong>2013<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>In Flanders\u2019 Shadow<\/strong> &#8211;<em> <strong><a href=\"http:\/\/wlajournal.com\/wlaarchive\/26\/Rawlinson.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">War, Literature &amp; the Arts<\/a>;<\/strong><\/em> 2013<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>End of the Pier<\/strong> &#8211; <em><strong><a rel=\"noreferrer noopener\" href=\"http:\/\/3elementsreview.com\/journal-issues\/3elements-review-fall-journal-issue-1-2013-mobile.pdf\" target=\"_blank\">3Elements Review<\/a>;<\/strong><\/em> Issue 1, 2013<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong><em>WAX Poetry and Art<\/em><\/strong><\/li>\n\n\n\n<li>2013: &#8211; <a rel=\"noreferrer noopener\" href=\"http:\/\/waxpoetryart.com\/weeklypoem\/issues\/008\/kerryrawlinson.html\" target=\"_blank\">drops<\/a><\/li>\n\n\n\n<li>2013: &#8211; <a href=\"http:\/\/waxpoetryart.com\/weeklypoem\/issues\/007\/\" target=\"_blank\" rel=\"noreferrer noopener\">all the world\u2019s a stage<\/a><\/li>\n\n\n\n<li>2013: &#8211; <a href=\"http:\/\/waxpoetryart.com\/weeklypoem\/issues\/009\/\" target=\"_blank\" rel=\"noreferrer noopener\">please don\u2019t pick your teeth<\/a><\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>birds on wires<\/strong> &#8211; <em><a rel=\"noreferrer noopener\" href=\"https:\/\/postcardpoemsandprose.wordpress.com\/2013\/11\/15\/birds-on-wires-by-kerry-rawlinson\/\" target=\"_blank\">Postcards, Poems &amp; Prose,<\/a><\/em>&nbsp;2013<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Through The Bridge Backwards<\/strong> &#8211; <em><strong><a href=\"https:\/\/postcardpoemsandprose.wordpress.com\/2013\/07\/22\/through-the-bridge-backward-by-kerry-rawlinson\/\" target=\"_blank\" rel=\"noreferrer noopener\">Postcards, Poems &amp; Prose<\/a><\/strong><\/em><a href=\"https:\/\/postcardpoemsandprose.wordpress.com\/2013\/07\/22\/through-the-bridge-backward-by-kerry-rawlinson\/\"><strong> \u201cdrawkcaB<\/strong><\/a>\u201d Fiction Contest, 2013 (Winner)<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a rel=\"noreferrer noopener\" href=\"https:\/\/www.amazon.in\/s?k=kerry+rawlinson&amp;i=digital-text&amp;rh=n%3A1571277031%2Cn%3A1634753031&amp;dc&amp;qid=1621274543&amp;rnid=1571277031&amp;ref=sr_nr_n_1\" target=\"_blank\"><strong><em>Prospective, A Journal of Speculation;<\/em><\/strong><\/a> three editions:\n<ul class=\"wp-block-list\">\n<li><strong>coming of age<\/strong> &#8211; \u201cSurrender the Sasquatch &amp; No One Gets Hurt\u201d Issue, 2013<\/li>\n\n\n\n<li><strong>Thelxie<\/strong> &#8211; \u201cWhen Sirens Call\u201d Issue, 2013<\/li>\n\n\n\n<li><strong>a delicate silence<\/strong> &#8211; \u201cWhat\u2019s that Scuttling Down My Chimney\u201d Issue, 2012<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Envy<\/strong> &#8211; <strong><em><a href=\"http:\/\/unshodquills.com\/2013\/08\/12\/kerry-rawlinson\/\" target=\"_blank\" rel=\"noreferrer noopener\">Unshod Quills<\/a>;<\/em> <\/strong>2013<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>When the Rhodesians Came<\/strong> &#8211;  <strong><a href=\"http:\/\/www.collectionscanada.gc.ca\/eppp-archive\/100\/201\/300\/ascent_aspirations\/2013\/v17n09\/ascentspring2013.htm\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Ascent Aspirations<\/em><\/a> <\/strong>\u201cWhat We Take Home\u201d Contest, 2013 (Finalist)<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The following poems have been published (some multigenre, some winning awards here&#8230;) LONGSHEET FOR PURCHASE: Maps, Omens &amp; Agar #3. Maps, Omens, &amp; Agar #3 features two anagrammatic poems by kerry rawlinson. Each of rawlinson\u2019s poems is an anagram of the title and first stanza of a poem by Paul Verlain, which appears in italics<span class=\"dots\"> &hellip; <\/span><span class=\"link-more\"><a href=\"https:\/\/www.kerryrawlinson.com\/?page_id=102\" class=\"more-link\">Read more <span class=\"screen-reader-text\">&#8220;\u263c poetry&#8221;<\/span><\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":445,"parent":0,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"class_list":["post-102","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/www.kerryrawlinson.com\/index.php?rest_route=\/wp\/v2\/pages\/102","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kerryrawlinson.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.kerryrawlinson.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.kerryrawlinson.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kerryrawlinson.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=102"}],"version-history":[{"count":152,"href":"https:\/\/www.kerryrawlinson.com\/index.php?rest_route=\/wp\/v2\/pages\/102\/revisions"}],"predecessor-version":[{"id":1661,"href":"https:\/\/www.kerryrawlinson.com\/index.php?rest_route=\/wp\/v2\/pages\/102\/revisions\/1661"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.kerryrawlinson.com\/index.php?rest_route=\/wp\/v2\/media\/445"}],"wp:attachment":[{"href":"https:\/\/www.kerryrawlinson.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=102"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}