{"id":962,"date":"2021-08-08T11:06:40","date_gmt":"2021-08-08T18:06:40","guid":{"rendered":"https:\/\/www.kerryrawlinson.com\/?page_id=962"},"modified":"2026-08-30T14:19:49","modified_gmt":"2026-08-30T21:19:49","slug":"%e2%98%bcpublished-art-photography","status":"publish","type":"page","link":"https:\/\/www.kerryrawlinson.com\/?page_id=962","title":{"rendered":"\u263c art\/photo art"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">For purchases &amp; commissions, please contact me.<br>More at<strong> <em><a href=\"https:\/\/www.gallea.ca\/en\/artists\/kerry-rawlinson\" target=\"_blank\" rel=\"noreferrer noopener\">GALLEA<\/a><\/em><\/strong>; <strong><em><a title=\"https:\/\/www.smugmug.com\/gallery\/n-tVjmS6\/\" href=\"https:\/\/www.contemporaryartgalleryonline.com\/site_search?search=kerry+rawlinson\" target=\"_blank\" rel=\"noreferrer noopener\">CAGO<\/a><\/em><\/strong>; <strong><em><a href=\"https:\/\/unsplash.com\/@kerryraw\" target=\"_blank\" rel=\"noreferrer noopener\">Unsplash<\/a><\/em><\/strong><\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>* Art Exhibition<\/strong>s:- &#8216;Captured Images&#8217; Annual exhibition, <a title=\"\" href=\"https:\/\/www.peachlandarts.ca\/past-exhibitions.html\" target=\"_blank\" rel=\"noopener\"><em><strong>Peachlan<\/strong>d<strong> Art Gallery<\/strong><\/em><\/a>, BC, Canada 2026, 2025, 2023, 2022, 2021<\/li>\n\n\n\n<li>Artust In Studio:- Peachland Art Gallery 2026, 2025<\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1224\" height=\"612\" data-id=\"1393\" src=\"https:\/\/www.kerryrawlinson.com\/wp-content\/uploads\/2025\/01\/wires-birds-at-sunrise-1224x612.png\" alt=\"Wires &amp; Birds at Sunrise\" class=\"wp-image-1393\" srcset=\"https:\/\/www.kerryrawlinson.com\/wp-content\/uploads\/2025\/01\/wires-birds-at-sunrise-1224x612.png 1224w, https:\/\/www.kerryrawlinson.com\/wp-content\/uploads\/2025\/01\/wires-birds-at-sunrise-600x300.png 600w, https:\/\/www.kerryrawlinson.com\/wp-content\/uploads\/2025\/01\/wires-birds-at-sunrise-768x384.png 768w, https:\/\/www.kerryrawlinson.com\/wp-content\/uploads\/2025\/01\/wires-birds-at-sunrise-1536x768.png 1536w, https:\/\/www.kerryrawlinson.com\/wp-content\/uploads\/2025\/01\/wires-birds-at-sunrise-2048x1024.png 2048w\" sizes=\"auto, (max-width: 1224px) 100vw, 1224px\" \/><\/figure>\n<\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2026<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>the seeker<\/strong>:- Artwork, Process notes and poem&#8211; <em><a href=\"https:\/\/icefloepress.net\/2026\/01\/09\/little-fish-uncanned-the-seeker-creative-notes-for-an-erasure-project-kerry-rawlinson\/\" data-type=\"link\" data-id=\"https:\/\/icefloepress.net\/2026\/01\/09\/little-fish-uncanned-the-seeker-creative-notes-for-an-erasure-project-kerry-rawlinson\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Icefloe Press, Process\/ Marginalia\/ Otherwor(l)d(s)<\/strong><\/a> <\/em>2026. [This is from my W.I.P. entitled: \u2018Little Fish, Uncanned\u2019 which is a hybrid art-poetry manuscript created from \u2018Cannery Row&#8217; by John Steinbeck. Each poem is an erasure of one single page of this brilliant novel, and each poem 6is placed on a background of my original art, whether digital photo-art or some other art medium.]<\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2025<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Detritus<\/strong>:- cover Art for <a href=\"https:\/\/www.consilience-journal.com\/issue-21\" target=\"_blank\" rel=\"noreferrer noopener\"><em><strong>Concilience Journal<\/strong><\/em><\/a> Issue 21, 2025<\/li>\n\n\n\n<li><strong>Am\u2019Ker #17<\/strong> :- <em><strong><a href=\"https:\/\/www.magcloud.com\/browse\/issue\/3128870\" target=\"_blank\" rel=\"noreferrer noopener\">Artells Magazine Vol. 3413<\/a><\/strong><\/em>, 2025<\/li>\n\n\n\n<li><strong>Amongst the Scavengers:<\/strong>&#8211; <em><strong><a href=\"https:\/\/wildroofjournal.com\/issue-30-gallery-3\/#kerryrawlinson\" target=\"_blank\" rel=\"noreferrer noopener\">Wild Roof Journal<\/a> <\/strong><\/em>Issue 30, Gallery 3, 2025<\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2024<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Featured Artist in <em><a title=\"Novus Literary\" href=\"https:\/\/novusliterary.com\/featured-art-2023\/https:\/\/novusliterary.com\/featured-art-2023\/https:\/\/novusliterary.com\/featured-art-2023\/\" target=\"_blank\" rel=\"noopener\">Novus Literary<\/a><\/em><\/strong>, May 2024 Gratitude to Sandee Gertz &amp; student editors<\/li>\n\n\n\n<li><strong>The Specimen<\/strong>:- IceFloe Press, <a href=\"https:\/\/icefloepress.net\/2024\/05\/17\/3-poems-and-3-vispo-erasures-kerry-rawlinson\/\"><strong><em>Geographies 2022<\/em><\/strong><\/a><em>, <\/em>2024<\/li>\n\n\n\n<li><strong>How Do You Own Disorder, Disorder?<\/strong>:-<a href=\"https:\/\/icefloepress.net\/2024\/05\/17\/3-poems-and-3-vispo-erasures-kerry-rawlinson\/\"><strong><em>idem<\/em><\/strong><\/a><\/li>\n\n\n\n<li><strong>Double Promise:<\/strong>&#8211; Third Place, <strong><em><a href=\"https:\/\/www.peachland.ca\/cms\/wpattachments\/wpID1576atID4488.pdf\" target=\"_blank\" rel=\"noopener\" title=\"\">Peachland Photo Contest<\/a><\/em> <\/strong>2024<\/li>\n\n\n\n<li><strong>Light Eater:<\/strong>&#8211; <em><strong><a href=\"https:\/\/www.radarpoetry.com\/after-being-stung\" target=\"_blank\" rel=\"noopener\" title=\"Radar Poetry\">Radar Poetry<\/a><\/strong><\/em>, 2024<\/li>\n\n\n\n<li><strong>Backstroke<\/strong>:-<strong> <a title=\"\" href=\"https:\/\/tower.washburn.edu\/inscape\/current-issue.html\" target=\"_blank\" rel=\"noopener\"><em>Inscape Magazine<\/em><\/a><\/strong><em>, <\/em>2024<\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2023<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Something\u2019s Bubbling<\/strong>:- <strong><a href=\"https:\/\/wildroofjournal.com\/issue-23-gallery-3\/#kerryrawlinson\"><em>Wild Roof Journal<\/em><\/a>, <\/strong>Issue 23, Gallery 3, 2023<\/li>\n\n\n\n<li><strong>&#8216;Almost There&#8217;<\/strong>:- Published in<strong> <\/strong><a data-type=\"link\" data-id=\"https:\/\/www.zoeticpress.com\/issue-33-world-tour\" href=\"https:\/\/www.zoeticpress.com\/issue-33-world-tour\" target=\"_blank\" rel=\"noreferrer noopener\"><strong><em>NonBinary Review<\/em><\/strong><\/a> #33, by Zoetic Press, September 2023<\/li>\n\n\n\n<li><strong>&#8216;Afterburn&#8217;<\/strong>:- Published in<strong> <em><a href=\"https:\/\/www.amsterdamquarterly.org\/aq_issues\/aq36-no-planet-b\/kerry-rawlinson-afterburn\/\" target=\"_blank\" rel=\"noreferrer noopener\">Amsterdam Quarterly<\/a>,<\/em><\/strong> Issue 36 &#8220;No Planet B&#8221;, 2023<\/li>\n\n\n\n<li><strong>&#8216;Foot, As Desert landscape #23<\/strong>&#8216; \u2013<em><strong> <a href=\"https:\/\/foscofornio.blogspot.com\/\" target=\"_blank\" rel=\"noopener\" title=\"\">FoscoFornio Blog<\/a><\/strong><\/em><strong><em> <\/em><\/strong>(Part of the exploration of the human foot as a desert landscape.) Published in book format <a href=\"https:\/\/mixam.co.uk\/share\/64de4712c31c3068626b78c6\" target=\"_blank\" rel=\"noopener\" title=\"\"><strong><em>Presence: Performance and the Self-portrait<\/em><\/strong><\/a><em><strong>,<\/strong><\/em> 2023 editor Aldobranti, pub. FoscioFornio<\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2022<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>&#8220;Love Keeps No Record of Wrongs:&#8221;<\/strong> Winning Photograph in &#8216;Love is Love&#8217; Contest, <strong><a href=\"https:\/\/www.instagram.com\/p\/CZKEiDfo751\/\" target=\"_blank\" rel=\"noopener\" title=\"\"><em>Makarelle<\/em><\/a> <\/strong>Issue 1, 2022 (defunct)<\/li>\n\n\n\n<li>Art Photography: &#8220;<strong>Tattooed Tower, Toronto<\/strong>&#8221; and &#8220;<strong>Table Tats<\/strong>:&#8221; <a href=\"https:\/\/www.instagram.com\/p\/CRYStexgmGi\/\" target=\"_blank\" rel=\"noopener\" title=\"\"><em><strong>Makarelle<\/strong><\/em><\/a>&#8216;s &#8220;Tattoo&#8221; Edition, 2022 (defunct)<\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2021<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Multi-media art pieces entitled &#8220;<strong>Xs &amp; No&#8217;s<\/strong>; <strong>Stitched Up<\/strong>&#8221; in: <em><a href=\"https:\/\/href.li\/?https:\/\/www.artistsrespondingto.co.uk\/zine?pgid=knxbai73-26766813-55d6-497c-929b-660b4b246151\" target=\"_blank\" rel=\"noreferrer noopener\"><\/a><strong><a title=\"\" href=\"https:\/\/www.instagram.com\/p\/COGIVcoFBMm\/\" target=\"_blank\" rel=\"noopener\"><strong><em>Artists Responding To<\/em><\/strong>&#8230;<\/a><\/strong><\/em> 2021<\/li>\n\n\n\n<li>Conceptual Photography at <strong><em><a href=\"https:\/\/issuu.com\/divideartmagazine\/docs\/issue_3_digital_copy\" target=\"_blank\" rel=\"noreferrer noopener\">Divide Magazine<\/a><\/em><\/strong>, 2021:- <strong>Foot, as Desert Landscape #6; #22<\/strong>.  (Part of a series of turning pictures of my foot into a desert landscape.)<\/li>\n\n\n\n<li>Landscape Photography &#8220;<strong>Lake, with Newspaper<\/strong>&#8221; from Unsplash used in <strong><em><a href=\"https:\/\/medium.com\/lifeline-poetry\/loving-life-right-now-aa0d4a87ceb6\" target=\"_blank\" rel=\"noreferrer noopener\">Lifeline<\/a><\/em><\/strong>; <strong><em><a href=\"https:\/\/themuslimshepherd.org\/the-one-habit\/\" target=\"_blank\" rel=\"noreferrer noopener\">The Muslim Shepherd<\/a><\/em><\/strong><\/li>\n\n\n\n<li>Urban Photography &#8220;<strong>Oxymoron<\/strong>&#8221; from Unsplash used in <strong><em><a href=\"https:\/\/python.plainenglish.io\/a-poor-mans-production-detection-system-in-python-160123838f9d\" target=\"_blank\" rel=\"noreferrer noopener\">Python<\/a><\/em><\/strong>, 2021<\/li>\n\n\n\n<li>Urban photography &#8220;<strong>The End<\/strong>&#8221; from Unsplash used in <strong><em><a href=\"https:\/\/www.industrytap.com\/how-to-manage-construction-and-demolition-waste-in-your-project\/56502\" target=\"_blank\" rel=\"noreferrer noopener\">Industry Tap<\/a><\/em><\/strong>, 2021; <strong><em><a href=\"https:\/\/eifel-abbruch.de\/\" target=\"_blank\" rel=\"noreferrer noopener\">Eifel Abruch<\/a><\/em><\/strong>, 2021<\/li>\n\n\n\n<li>Nature Photography &#8220;<strong>Smoking Mountains<\/strong>&#8221; from Unsplash used in Washington State University <strong><em><a href=\"https:\/\/news.wsu.edu\/2021\/01\/14\/knowledge-greenhouse-gas-effect-shifts-public-opinion-global-warming\/\" target=\"_blank\" rel=\"noreferrer noopener\">Insider<\/a><\/em><\/strong>, Jan 2021; <em><strong><a href=\"https:\/\/www.touchstonekstate.org\/nonfic\/the-shape-of-the-world-by-anna-oberg\" target=\"_blank\" rel=\"noreferrer noopener\">Touchstone Literary Magazine<\/a><\/strong><\/em>, May 2021; <a href=\"https:\/\/beyond.ubc.ca\/wildfire-smoke-wine\/\" target=\"_blank\" rel=\"noreferrer noopener\">UBC&#8217;s &#8220;<strong><em>Beyond<\/em>&#8220;<\/strong> Series,<\/a> 2021; <strong><a href=\"https:\/\/thenarwhal.ca\/opinion-wildfire-disaster-preparation\/\" target=\"_blank\" rel=\"noreferrer noopener\"><em>The Narwhal<\/em><\/a><\/strong>, 2021; <strong><em><a href=\"http:\/\/www.environment911.org\/Lytton-BC-The-Latest-Victim-of-the-Climate-Crisis\" target=\"_blank\" rel=\"noreferrer noopener\">Environement 911<\/a><\/em><\/strong>, 2021<\/li>\n\n\n\n<li>Art Exhibition:- <strong>Hands of Light<\/strong>, exhibited in <strong><a href=\"https:\/\/www.facebook.com\/PeachlandArtGallery\/posts\/pfbid02gD5rqrf1Fv7LB3uSvLQ8oWdpcgjuJ3t4QBz3Bfw7ZFRZSAFuNEPoxsQ5UyG9nyuul\" target=\"_blank\" rel=\"noopener\" title=\"\">Peachland Art Gallery<\/a><\/strong>, BC, Canada 2021<\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2020<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li> &#8220;<strong>Whirling<\/strong>&#8221; chosen for the cover of <strong><em>Rattle Magazine&#8217;<\/em>s &#8216;Young Poets Anthology<\/strong>&#8216; 2021, <strong><em><a href=\"https:\/\/www.rattle.com\/children\/y2021\/\" target=\"_blank\" rel=\"noreferrer noopener\">here.<\/a><\/em><\/strong> Thanks to Tim for the honour. Thanks to my granddaughter Emma for being the model.<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Two more pieces in my series &#8220;<strong>Filthy Lucre<\/strong>,&#8221; exploring the forms, effects, and consequences of currency.<\/li>\n\n\n\n<li>My thanks to Polly Bates &amp; @artistsrespond1 @artistsresponding<\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<ul class=\"wp-block-list\">\n<li>INSTAGRAM <strong><a href=\"https:\/\/www.instagram.com\/kerryrawli\/?hl=en\" target=\"_blank\" rel=\"noreferrer noopener\">@kerryrawli<\/a> <\/strong>&#8211; As #sunriseguru, I offer many visions of my sunrises! (a morning meditation). Sample below:<\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-image size-large is-style-default\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"375\" src=\"https:\/\/www.kerryrawlinson.com\/wp-content\/uploads\/2021\/05\/Ro-MAry-Sunrise-1-1024x375.jpg\" alt=\"\" class=\"wp-image-213\" srcset=\"https:\/\/www.kerryrawlinson.com\/wp-content\/uploads\/2021\/05\/Ro-MAry-Sunrise-1-1024x375.jpg 1024w, https:\/\/www.kerryrawlinson.com\/wp-content\/uploads\/2021\/05\/Ro-MAry-Sunrise-1-300x110.jpg 300w, https:\/\/www.kerryrawlinson.com\/wp-content\/uploads\/2021\/05\/Ro-MAry-Sunrise-1-768x281.jpg 768w, https:\/\/www.kerryrawlinson.com\/wp-content\/uploads\/2021\/05\/Ro-MAry-Sunrise-1-1536x562.jpg 1536w, https:\/\/www.kerryrawlinson.com\/wp-content\/uploads\/2021\/05\/Ro-MAry-Sunrise-1-2048x749.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p class=\"has-text-align-left has-normal-font-size wp-block-paragraph\">For Ronan &amp; Mary, contemplating their first day back, in a tiny apartment overflowing with packing boxes&#8230; Here&#8217;s a little ditty: <br>                   &#8216;The sunrise creeps above the fells &amp; hills. As far as I can tell, it always will.&#8217; <br>(Taken in the Okanagan Valley, BC, Canada)<\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Nature &amp; Conceptual Photography in: <em><a rel=\"noreferrer noopener\" href=\"https:\/\/www.thesunlightpress.com\/?s=kerry+rawlinson\" target=\"_blank\"><strong>Sunlight Press<\/strong><\/a><\/em>, 2020:- <strong> B.C. Mountain<\/strong>; <strong>Chaos Theory<\/strong><\/li>\n<\/ul>\n\n\n\n<p class=\"has-normal-font-size wp-block-paragraph\">      (Photos taken in:  Kelowna, BC Canada)<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li> Urban Photography in: <em><a rel=\"noreferrer noopener\" href=\"https:\/\/www.watchyourhead.ca\/watch-your-head\/photography-kerry-rawlinson\" target=\"_blank\"><strong>Watch Your Head<\/strong><\/a><\/em>, 2020:- <strong><strong>The End; Cold Comfort; Montreal Wall #4; Waiting for the Driver<\/strong><\/strong><\/li>\n<\/ul>\n\n\n\n<p class=\"has-normal-font-size wp-block-paragraph\">          Photos taken in: Florida, USA; Montreal, Canada; Peachland, BC Canada<br>           Thanks to Katherine @themockler and @WatchYrHead<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Art Photograph from Unsplash on <strong><a href=\"https:\/\/iwriteher.com\/2021\/09\/02\/my-self-evolving\/\" target=\"_blank\" rel=\"noreferrer noopener\">My Self Evolving<\/a><\/strong>, 2020:- <strong>Am&#8217;ker #511<\/strong><\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Landscape Photography&#8221;Railway &amp; Beach, South Africa&#8221;, in <strong><em><a href=\"https:\/\/www.sareview.org\/pub\/iwqtaovs\/release\/1\" target=\"_blank\" rel=\"noreferrer noopener\">San Antonio Review<\/a><\/em><\/strong>, Sept 2020<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Featured Photographer in &#8220;<strong><em><a href=\"https:\/\/roseshavethoughts.com\/2020\/10\/27\/photography-kerry-rawlinson\/\" target=\"_blank\" rel=\"noreferrer noopener\">Roses Have Thoughts<\/a><\/em><\/strong>&#8220;, 2020:- Assorted pieces from <strong><a href=\"https:\/\/unsplash.com\/@kerryraw\" target=\"_blank\" rel=\"noreferrer noopener\">Unsplash<\/a><\/strong><\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Urban Photography in: <a rel=\"noreferrer noopener\" href=\"https:\/\/wildroofjournal.com\/issue-5-gallery-3\/#kerryrawlinson\" target=\"_blank\"><em><strong>Wild Roof Journal<\/strong><\/em><\/a><em>,<\/em> Issue 5, 2020:- <strong>Toronto #6<\/strong><\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Pairing #5, <a rel=\"noreferrer noopener\" href=\"https:\/\/overgroundunderground.co.uk\/blog\/f\/pairing-5-kerry-rawlinson-nettie-edwards\" target=\"_blank\"><em><strong>Underground Overground<\/strong>,<\/em><\/a> 2020:- <strong>Transmogrification<\/strong><\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Multi-media art pieces in: <a rel=\"noreferrer noopener\" href=\"https:\/\/overgroundunderground.co.uk\/issues\" target=\"_blank\"><em><strong>Underground Overgrou<\/strong><\/em><\/a><strong><a rel=\"noreferrer noopener\" href=\"https:\/\/overgroundunderground.co.uk\/issues\" target=\"_blank\"><em>nd<\/em><\/a> <\/strong>Issue #1, 2020:- <strong>Crypto; Money Tree; Ripped Off<\/strong><\/li>\n<\/ul>\n\n\n\n<p class=\"has-normal-font-size wp-block-paragraph\">      Three more pieces in my series &#8220;<strong>Filthy Lucre,<\/strong>&#8221; exploring the forms, effects, and consequences of currency<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Urban Photography in: <a rel=\"noreferrer noopener\" href=\"https:\/\/newfound.org\/current-issue\/visual-arts-kerry-rawlinson\/\" target=\"_blank\"><strong><em>Newfound<\/em><\/strong><\/a><em><strong>,<\/strong><\/em> 2020:- <strong>Home Sweet Caravan<\/strong><\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Urban &amp; Abstract Photography. Featured Artist in: <em><a href=\"https:\/\/sunspotlit.com\/v-2-i-2-features-1\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Sunspot Literary Journal<\/strong><\/a><\/em>, 2020:- <strong>Wooden Muse; Kitchen Closed<\/strong><\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Art Photography in: <strong><a rel=\"noreferrer noopener\" href=\"https:\/\/queenmobs.com\/2020\/03\/postcard-from-zambia\/\" target=\"_blank\"><em>Queen Mob\u2019s Teahouse<\/em><\/a>,<\/strong> 2020:- <strong>Postcard from Zambia<\/strong><\/li>\n<\/ul>\n\n\n\n<p class=\"has-normal-font-size wp-block-paragraph\">Conceptual art and poetry in Postcard form, and part of an ongoing project entitled &#8220;<strong>Postcards from Everywhere<\/strong>&#8220;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2019<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Art photography in: <a href=\"http:\/\/synchchaos.com\/17052-2\/\" target=\"_blank\" rel=\"noreferrer noopener\"><em><strong>Synchronized Chaos<\/strong><\/em><\/a>, 2019:- <strong>Chitapo #1 through #6<\/strong><\/li>\n<\/ul>\n\n\n\n<p class=\"has-normal-font-size wp-block-paragraph\">Six digital, conceptual art photography in my Series called &#8216;<strong>Chitapo<\/strong>.&#8217;<br>&#8220;Unknown to most travellers, there exists a creature of myth &amp; cultural memory called&nbsp;<em>Chitapo<\/em>. If you travel in the north, there are pictures around the Kafue area that depict her; in the south around the Zambezi also. She\/they are part-mermaid\/ siren, part snake, lurking in the depths of the rivers and lakes&#8230;&#8221;<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Nature &amp; Urban Photography in: <em><a href=\"https:\/\/www.thesunlightpress.com\/?s=kerry+rawlinson\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Sunlight Press<\/strong><\/a><\/em>, 2019:- <strong>One-way Train; <\/strong>Ghost List<\/li>\n<\/ul>\n\n\n\n<p class=\"has-normal-font-size wp-block-paragraph\">      (Photos taken in: Jasper, Canada; Kelowna, BC Canada)<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Multi-media Asemic\/polysemic art pieces in: <a rel=\"noreferrer noopener\" href=\"http:\/\/www.tupeloquarterly.com\/from-filthy-lucre-blood-money-red-ink-bottom-lines-sell-out-sewn-up-by-kerry-rawlinson\/\" target=\"_blank\"><em><strong>Tupelo Quarterly<\/strong><\/em><\/a>, 2019:- <strong>Blood Money; Red Ink, Sewn Up; Sell Out; Bottom<\/strong> <strong>Lines<\/strong><\/li>\n<\/ul>\n\n\n\n<p class=\"has-normal-font-size wp-block-paragraph\">        Three pieces in my series &#8220;<strong>Filthy Lucre,<\/strong>&#8221; exploring the forms, effects, and consequences of currency<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Nature Photography in: <a href=\"https:\/\/prolificpress.com\/bookstore\/dual-coast-magazine-c-6\/dual-coast-magazine-issue-7-p-302.html\" target=\"_blank\" rel=\"noreferrer noopener\"><em><strong>Dual Coast<\/strong><\/em><\/a>, Issue #7, 2019:- <strong>Florida Sunrise Biker; Beach Walker #3<\/strong><\/li>\n<\/ul>\n\n\n\n<p class=\"has-normal-font-size wp-block-paragraph\">                (Photos taken in Cocoa Beach, Florida)      <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Five Art Photography Portaits in: <a href=\"https:\/\/www.yespoetry.com\/news\/art-by-kerry-rawlinson\" target=\"_blank\" rel=\"noreferrer noopener\"><em><strong>Yes Poetry<\/strong><\/em><\/a>, 2019:- <strong>Am\u2019ker #511; Am\u2019ker #4; Am\u2019ker #27; Am\u2019ker #515; Am\u2019ker #17<\/strong><\/li>\n<\/ul>\n\n\n\n<p class=\"has-normal-font-size wp-block-paragraph\">(According to YES POetry, &#8220;Am&#8217;Ker #515&#8221; was one of the top-viewed photographs on the website for 2020)<br>Part of my series <strong>&#8220;Am&#8217;Ker&#8221;<\/strong>, exploring the many faces and guises of Woman: muse\/madonna,<br>goddess\/bitch. Model and friend: Amanda Walker<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Black &amp; White Urban Photography in: <a rel=\"noreferrer noopener\" href=\"http:\/\/www.themaliterarysociety.com\/issues\/NEW%20NEIGHBORS.htm\" target=\"_blank\"><em><strong>THEMA<\/strong><\/em><\/a>, 2019:- <strong>Good Fences Make Good Neighbours<\/strong><\/li>\n<\/ul>\n\n\n\n<p class=\"has-normal-font-size wp-block-paragraph\">                 (Photo taken in Johannesburg, RSA)<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Four Abstract\/ Urban Art Photographs in: <strong><a rel=\"noreferrer noopener\" href=\"https:\/\/www.southfloridapoetryjournal.com\/mainphp.html\" target=\"_blank\"><em>Sloflopojo<\/em><\/a>,<\/strong> February 2019:- <strong>Arbour Lights; Bar Ghosts; Log Truck; Palm Fruit Kaleidescope #4<\/strong><\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Art Photography in <em><strong><a href=\"https:\/\/abstractmagazinetv.com\/2019\/01\/07\/noor-by-essam-m-al-jassim\/\" target=\"_blank\" rel=\"noreferrer noopener\">Abstract Magazine<\/a><\/strong><\/em>, Jan 2019:- <strong>Alone at the Lake<\/strong> (Photos taken on Robben Island, Cape Town, RSA)<\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2018<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Two Conceptual Art Photographs in: <strong><em><em><a href=\"https:\/\/issuu.com\/scrivenercreativereview\/docs\/scr_s1_issuu\" target=\"_blank\" rel=\"noreferrer noopener\">Scrivener Creative Review<\/a><\/em>,<\/em> <\/strong>Issue S1, 2018:- <strong>Mast<\/strong>; <strong>Fractal, with Boy<\/strong><\/li>\n\n\n\n<li>Black &amp; White Photography in: <a href=\"https:\/\/fictioninternational.sdsu.edu\/wordpress\/issue-51-world-in-pain\/\" target=\"_blank\" rel=\"noreferrer noopener\"><em><strong>fiction international<\/strong><\/em><\/a>, <em>World in Pain, <\/em>Issue 51, 2018:- <strong>Freedom\u2019s Climb<\/strong>; <strong>Mandela\u2019s cell<\/strong><\/li>\n\n\n\n<li>Four Urban &#8220;Window&#8221; Photographs in: <strong><a href=\"https:\/\/www.gravelmag.com\/kerry-rawlinson.html\" target=\"_blank\" rel=\"noreferrer noopener\"><em>gravel<\/em><\/a>,<\/strong> 2018:- <strong>Morning Window, Wales; Vancouver Glass; Seattle #7; Golden Elvis<\/strong>, <strong>Toronto<\/strong><\/li>\n\n\n\n<li>Two Urban Photographs in: <a href=\"http:\/\/abstractmagazinetv.com\/?s=kerry+rawlinson\" target=\"_blank\" rel=\"noreferrer noopener\"><em><strong>Abstract Magazine<\/strong><\/em><\/a>, 2018:- <strong>Seattle Underground Arch; The End<\/strong><\/li>\n\n\n\n<li>Abstract Urban Art Photography in: <em><a rel=\"noreferrer noopener\" href=\"https:\/\/issuu.com\/scrivenercreativereview\/docs\/scr_43_-_issuu\" target=\"_blank\"><strong>Scrivener Creative Review<\/strong>,<\/a><\/em>  Issue 43, 2018:- <strong>Bird In The Hand<\/strong><\/li>\n\n\n\n<li>Two Landscape Photographs in: <em><strong><a href=\"https:\/\/www.amazon.com\/Solidago-Spring-2018-Distance-Various\/dp\/1720380821\/ref=sr_1_7?dchild=1&amp;keywords=solidago&amp;qid=1630961752&amp;rnid=2941120011&amp;s=books&amp;sr=1-7\" target=\"_blank\" rel=\"noreferrer noopener\">Solidago<\/a><\/strong><\/em>, 2018:- <strong>Railway &amp; Beach; Evening Lay-by<\/strong> (Photos taken in South Africa)<\/li>\n\n\n\n<li><strong>Sunflight<\/strong>:- Art Photograph in: <a rel=\"noreferrer noopener\" href=\"http:\/\/subterraneanbluepoetry.com\/SubterraneanBluePoetry.VI.V.html\" target=\"_blank\"><em><strong>subterannean blue<\/strong><\/em><\/a><em>,<\/em> Vol. VI Issue V, 2018<\/li>\n\n\n\n<li><strong>Blood Down the Drain<\/strong>:- Abstract Photography in: <em><a rel=\"noreferrer noopener\" href=\"https:\/\/understoreymagazine.ca\/article\/bad-blood\/\" target=\"_blank\"><strong>Understory<\/strong><\/a>,<\/em> 2018<\/li>\n\n\n\n<li>Five Art Photography Portaits in: <a href=\"https:\/\/www.moonchildmag.net\/kerryrawlinson.html\" target=\"_blank\" rel=\"noreferrer noopener\"><em><strong>Moonchild Magazine<\/strong><\/em><\/a>, 2018 (defunct)- <strong>Am&#8217;ker #39; Am&#8217;ker #27; Am&#8217;ker #3; Am&#8217;ker #34<\/strong>. (Part of my series <strong>&#8220;Am&#8217;Ker&#8221;<\/strong>, exploring the many faces and guises of Woman: muse\/madonna, goddess\/bitch. Model and friend: Amanda Walker)<\/li>\n\n\n\n<li>Urban, Portrait and Nature Photography in: <a rel=\"noreferrer noopener\" href=\"http:\/\/www.greybordersmagazine.jigsy.com\/issues\" target=\"_blank\"><em><strong>Grey Borders<\/strong><\/em><\/a>, June 2018:- <strong>Dolls Imprisoned; Fractal; Anhinga Drying; Waiting; Old Friends<\/strong><\/li>\n\n\n\n<li>Abstract Urban Photography in: <a href=\"https:\/\/drive.google.com\/file\/d\/0Bwa3RwfHkW98cDVrdVRPYUtJNHc0b2JVcU96c2RBblJLek9v\/view\" target=\"_blank\" rel=\"noreferrer noopener\"><em><strong>HCE Review<\/strong><\/em><\/a> Vol. ll Issue ll\u201cCITIES\u201d, Feb 2018:- <strong>Toronto #1<\/strong><\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2017<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Conceptual Armed Forces Photography in: <a href=\"http:\/\/www.thepedestalmagazine.com\/issue-80\/\" target=\"_blank\" rel=\"noreferrer noopener\"><em><strong>Pedestal Magazine<\/strong><\/em>,<\/a> 2017:- <strong>The Fire Within<\/strong>.(Original Photo taken by my nephew, Sgt. Nathan Jones in Medicine Hat, Canada)<\/li>\n\n\n\n<li>Nature Photography in:- <a href=\"https:\/\/bonedstories.wordpress.com\/2017\/10\/17\/white-skulls\/\" target=\"_blank\" rel=\"noreferrer noopener\"><em><strong>Boned<\/strong><\/em><\/a> \u2013 \u201cA Collection of Skeletal Writings&#8221;, 2017:- <strong>Elephant Skull<\/strong>. (Taken in Kruger National Park, South Africa)<\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Conceptual Art Photograpy in: <a rel=\"noreferrer noopener\" href=\"http:\/\/adhocfiction.com\/?s=kerryrawlinson\" target=\"_blank\"><em><strong>AdHoc Fiction<\/strong><\/em><\/a>\n<ul class=\"wp-block-list\">\n<li>2017:<strong> &#8211; Slip In; Am\u2019ker Angels; Keep Out; Rusted Light<\/strong><\/li>\n\n\n\n<li>2016: <strong>&#8211; Points of Sail; Down the Drain; Rest Break; Shell Ghosts; Galaxy in a Glass; Memory Lane;<\/strong> <strong>Tear Down #6; Blue<\/strong><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Urban and Nature Photography in: <a rel=\"noreferrer noopener\" href=\"https:\/\/www.qwertyunb.com\/\" target=\"_blank\"><em><strong>Qwerty<\/strong><\/em><\/a>\n<ul class=\"wp-block-list\">\n<li> 2017:<strong> &#8211; KVR Misty Trees (<a rel=\"noreferrer noopener\" href=\"https:\/\/www.qwertyunb.com\/rawlinson\" target=\"_blank\">Issue 35<\/a>)<\/strong><\/li>\n\n\n\n<li> 2014: <strong>&#8211; Birds on Wires; Bra Chandelier; Treechitecture <\/strong>(<a href=\"https:\/\/www.qwertyunb.com\/product-page\/qwert-issue-32\" target=\"_blank\" rel=\"noreferrer noopener\">Issue 32<\/a>)<\/li>\n\n\n\n<li><strong> <\/strong>2013:<strong> &#8211; Cleaning the Steps, Bath, UK;  Gastown #7<\/strong> (<a href=\"https:\/\/www.qwertyunb.com\/product-page\/qwerty-issue-30\" target=\"_blank\" rel=\"noreferrer noopener\">Issue 30<\/a>)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Conceptual Nature &amp; Portrait Photography in: <a rel=\"noreferrer noopener\" href=\"http:\/\/www.phillyflashinferno.com\/2016\/11\/blog-post.html\" target=\"_blank\"><em><strong>Philly Flash Inferno<\/strong><\/em><\/a>, 2017:- <strong>Necromancing the Stones; Am\u2019ker #30<\/strong>  (defunct)<\/li>\n<\/ul>\n\n\n\n<p class=\"has-normal-font-size wp-block-paragraph\">(First Photo taken in Castlerig, UK; Second Photo: part of my series <strong>&#8220;Am&#8217;Ker&#8221;<\/strong>, exploring the many faces and guises of Woman: muse\/madonna, goddess\/bitch. Model &amp; friend: Amanda Walker<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Conceptual Ocean Art Photography in: <em><a rel=\"noreferrer noopener\" href=\"https:\/\/www.zoeticpress.com\/issue-13-snopes-urban-legends\" target=\"_blank\"><strong>Non-Binary Review<\/strong><\/a><\/em> Issue 13, by <em>zoetic press<\/em>, 2017:- <strong>Ghost Ship Resurrection<\/strong> <\/li>\n<\/ul>\n\n\n\n<p class=\"has-normal-font-size wp-block-paragraph\">      (Photo taken in Gansbaai, South Africa)<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Conceptual Nature Photography in: <em><a rel=\"noreferrer noopener\" href=\"http:\/\/www.nostroviatowriting.com\/issue-013.html\" target=\"_blank\"><strong>Nostrovia Press F.A.L.D<\/strong>!<\/a><\/em> Issue 13, 2017:- <strong>Roots #5; Osprey #3<\/strong><\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Three Art Photographs in:- <em><a rel=\"noreferrer noopener\" href=\"http:\/\/heroinchic.weebly.com\/blog\/poetry-photography-by-kerry-rawlinson\" target=\"_blank\"><strong>Anti-Herion Chic<\/strong><\/a>,<\/em> 2017:- <strong>Hollywood Stars; High &amp; Dry; Gargoyle, Frankfurt<\/strong><\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Art Photography published in: <a rel=\"noreferrer noopener\" href=\"http:\/\/www.peachlandview.com\/2014\/11\/13\/2014-november-14-online-edition\/\" target=\"_blank\"><em><strong>The Peachland View<\/strong><\/em><\/a> page 2, Nov. 17, 2016:- <strong>On the Ridge, #11<\/strong><\/li>\n<\/ul>\n\n\n\n<p class=\"has-normal-font-size wp-block-paragraph\">     (Original Photo taken by my nephew, Sgt. Nathan Jones)<\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Two Art Photographs in: <em><a rel=\"noreferrer noopener\" href=\"https:\/\/www.section8magazine.com\/yucca-memories\/\" target=\"_blank\"><strong>Section8 Magazine<\/strong><\/a>;<\/em> 2016:- <strong>Young Boy; Yucca Memories<\/strong><\/li>\n<\/ul>\n\n\n\n<p class=\"has-normal-font-size wp-block-paragraph\">                   (Both photos taken in Zambia, Central Africa)<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Art Photography in: <em><a href=\"https:\/\/vintage.storymirror.com\/poem\/57f943352086f74a18a09ffd\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Story Mirror<\/strong><\/a>,<\/em>&nbsp;2016:- <strong>Ice #<\/strong>7 <\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Abstract Art Photography in: <em><a href=\"https:\/\/fusionartarchives.com\/red-white-blue-exhibition\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Fusion Art<\/strong>:<\/a><\/em> Red, White &amp; Blue Contest, 2016 (Finalist):- <strong>Banff Tunnel #2<\/strong><\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Portraiture Art Photography in: <em><strong><a rel=\"noreferrer noopener\" href=\"https:\/\/fusionartarchives.com\/2nd-annual-figures-faces-exhibition\/\" target=\"_blank\">Fusion Art<\/a>: <\/strong><\/em>2nd Figures and Faces Contest, Dec 2016 (Third Place Winner):- <strong>Am\u2019ker #16<\/strong><\/li>\n<\/ul>\n\n\n\n<p class=\"has-normal-font-size wp-block-paragraph\">Part of my series <strong>&#8220;Am&#8217;Ker&#8221;<\/strong>, exploring the many faces and guises of Woman: muse\/madonna, goddess\/bitch. Model &amp; friend: Amanda Walker<\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Nature Art Photography in: <a style=\"font-style: italic;\" href=\"http:\/\/www.spankthecarp.com\/carpwork.html\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Spank the Carp<\/strong><\/a>, 2015:- <strong>Swirling<\/strong><\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Portrait Art Photography in: <em><a rel=\"noreferrer noopener\" href=\"http:\/\/www.fiveonthefifth.com\/current-issue-2\/\" target=\"_blank\"><strong>Five on the Fifth<\/strong><\/a>;<\/em> 2015:- <strong>Am\u2019ker #22<\/strong><\/li>\n<\/ul>\n\n\n\n<p class=\"has-normal-font-size wp-block-paragraph\"><strong> <\/strong>Part of my series <strong>&#8220;Am&#8217;Ker&#8221;<\/strong>, exploring the many faces and guises of Woman: muse\/madonna, goddess\/bitch. Model: Amanda Walker<\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Travel Art Photography in: <em><a href=\"http:\/\/adirondackreview.homestead.com\/kerryrawlinson.html\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Adirondack Review<\/strong><\/a>; <\/em>2014:-\n<ul class=\"wp-block-list\">\n<li><strong>Cape Town #16, <\/strong>South Africa<strong>; Montreal #17, <\/strong>Canada<strong>; Fishing Lights #4, <\/strong>South&nbsp;Africa<strong>; Transkei #33,<\/strong> South Africa; <strong>Montreal Old Port #2, <\/strong>Canada<strong>;&nbsp; Port Townsend #6; Port Townsend #<\/strong>7, USA<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Conceptual Armed Forces Photography in: <a rel=\"noreferrer noopener\" href=\"http:\/\/www.peachlandview.com\/2014\/11\/13\/2014-november-14-online-edition\/\" target=\"_blank\"><em><strong>The Peachland View<\/strong><\/em>,<\/a> Nov. 14, 2014:- <strong>On the Ridge #7<\/strong><\/li>\n<\/ul>\n\n\n\n<p class=\"has-normal-font-size wp-block-paragraph\">(Original Photo taken by my nephew, Sgt. Nathan Jones in Medicine Hat, Canada)<\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Art Photography in: <em><strong>The Centrifugal Eye<\/strong><\/em>\n<ul class=\"wp-block-list\">\n<li>2106: &#8211; <a rel=\"noreferrer noopener\" href=\"https:\/\/issuu.com\/centrifugaleye\/docs\/tcewinterspring_2016_-_unformed\" target=\"_blank\">\u201cUnformed\u201d Issue Spring<\/a>: <strong>Undiluted Beauty (Am\u2019ker #7)<\/strong><\/li>\n\n\n\n<li>2015: &#8211; <a rel=\"noreferrer noopener\" href=\"https:\/\/issuu.com\/centrifugaleye\/docs\/tcesummerautumn2015-exotique\" target=\"_blank\">\u201cExotique\u201d Issue<\/a>: <strong>Am\u2019ker #23; #9; B2B; Chester Cathedral #3<\/strong><\/li>\n\n\n\n<li>2014: &#8211; \u201c<a rel=\"noreferrer noopener\" href=\"https:\/\/issuu.com\/centrifugaleye\/docs\/tcewinterspring2014-postcardese\/5\" target=\"_blank\">Postcardese\u201d Issue:<\/a> <strong>Red Berries; Doorknocker; Table Names 2; Urchin; Dali Museum<\/strong><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Conceptual Armed Forces Photography in: <em><a rel=\"noreferrer noopener\" href=\"http:\/\/wlajournal.com\/wlaarchive\/26\/Rawlinson.pdf\" target=\"_blank\"><strong>War, Literature &amp; the Arts<\/strong><\/a>;<\/em> 2013:- <strong>Manoevres; On the Ridge #8; Tank Crew #4<\/strong><\/li>\n<\/ul>\n\n\n\n<p class=\"has-normal-font-size wp-block-paragraph\">(Original Photographs taken by my nephew, Sgt. Nathan Jones in Medicine Hat, Canada)<\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Art Photography in: <em><a rel=\"noreferrer noopener\" href=\"http:\/\/3elementsreview.com\/journal-issues\/3elements-review-fall-journal-issue-1-2013-mobile.pdf\" target=\"_blank\"><strong>3Elements Review<\/strong><\/a>;<\/em> Issue 1, 2013:- <strong>End of the Pier<\/strong><\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em>Postcards, Poems &amp; Prose<\/em>, 2013:-\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/postcardpoemsandprose.wordpress.com\/2013\/07\/22\/through-the-bridge-backward-by-kerry-rawlinson\/\" target=\"_blank\" rel=\"noreferrer noopener\">White Bridge<\/a><\/li>\n\n\n\n<li><a rel=\"noreferrer noopener\" href=\"https:\/\/postcardpoemsandprose.wordpress.com\/2013\/11\/15\/birds-on-wires-by-kerry-rawlinson\/\" target=\"_blank\">birds on wires<\/a><\/li>\n\n\n\n<li><a rel=\"noreferrer noopener\" href=\"https:\/\/postcardpoemsandprose.wordpress.com\/2013\/10\/24\/what-makes-you-scream-by-kerry-rawlinson\/\" target=\"_blank\">3-Headed Rottweiler<\/a><\/li>\n\n\n\n<li><a rel=\"noreferrer noopener\" href=\"https:\/\/postcardpoemsandprose.wordpress.com\/2013\/07\/21\/hats-transkei-by-kerry-rawlinson-for-our-july-hats-theme\/\" target=\"_blank\">Hats, Transkei<\/a><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Art Photography in: <em><a href=\"http:\/\/waxpoetryart.com\/issues\/0305\/kerryrawlinson.html\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>WAX Poetry and Art<\/strong><\/a>;<\/em> 2014:- <strong>Melbourne Fl #1b bw; Moth #17; Sunset at Gorman&#8217;s Mill<\/strong><\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Art Photography in: <strong><em><a rel=\"noreferrer noopener\" href=\"http:\/\/acolorproject.tumblr.com\/archive\" target=\"_blank\">AColorProject,<\/a><\/em><\/strong> 2013- 2014: &#8211; <strong>many!!!<\/strong><\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Cover Art for <em><strong>Prospective: A journal of Speculation<\/strong>:<\/em>\n<ul class=\"wp-block-list\">\n<li>2013: &#8211; \u201c<strong><a rel=\"noreferrer noopener\" href=\"https:\/\/www.amazon.com\/When-Sirens-Call-Prospective-Speculation-ebook\/dp\/B00BUB0TUY\" target=\"_blank\"><em>When Sirens Call<\/em><\/a><\/strong>\u201d Issue:- <strong>Enchanted<\/strong><\/li>\n\n\n\n<li>2012: &#8211; \u201c<em><a rel=\"noreferrer noopener\" href=\"https:\/\/www.amazon.com\/Whats-that-Scuttling-Down-Chimney\/dp\/1481014226\" target=\"_blank\"><strong>What\u2019s that Scuttling down My Chimney<\/strong><\/a>\u201d<\/em> Issue:- <strong>What\u2019s that Scuttling Down My Chimney<\/strong><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Art Photography in: <strong><em><a href=\"https:\/\/unshodquills.wordpress.com\/2013\/08\/12\/kerry-rawlinson\/\" target=\"_blank\" rel=\"noreferrer noopener\">Unshod Quills<\/a><\/em><\/strong>, 2013:- <strong>Oxymoron<\/strong><\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-image size-large is-style-default\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"424\" src=\"https:\/\/www.kerryrawlinson.com\/wp-content\/uploads\/2021\/05\/oxymoron-1024x424.jpg\" alt=\"\" class=\"wp-image-387\" srcset=\"https:\/\/www.kerryrawlinson.com\/wp-content\/uploads\/2021\/05\/oxymoron-1024x424.jpg 1024w, https:\/\/www.kerryrawlinson.com\/wp-content\/uploads\/2021\/05\/oxymoron-300x124.jpg 300w, https:\/\/www.kerryrawlinson.com\/wp-content\/uploads\/2021\/05\/oxymoron-768x318.jpg 768w, https:\/\/www.kerryrawlinson.com\/wp-content\/uploads\/2021\/05\/oxymoron-1536x637.jpg 1536w, https:\/\/www.kerryrawlinson.com\/wp-content\/uploads\/2021\/05\/oxymoron-2048x849.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Oxymoron &#8211; kerry rawlinson<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>For purchases &amp; commissions, please contact me.More at GALLEA; CAGO; Unsplash 2026 2025 2024 2023 2022 2021 2020 For Ronan &amp; Mary, contemplating their first day back, in a tiny apartment overflowing with packing boxes&#8230; Here&#8217;s a little ditty: &#8216;The sunrise creeps above the fells &amp; hills. As far as I can tell, it always<span class=\"dots\"> &hellip; <\/span><span class=\"link-more\"><a href=\"https:\/\/www.kerryrawlinson.com\/?page_id=962\" class=\"more-link\">Read more <span class=\"screen-reader-text\">&#8220;\u263c art\/photo art&#8221;<\/span><\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":4,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"class_list":["post-962","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.kerryrawlinson.com\/index.php?rest_route=\/wp\/v2\/pages\/962","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kerryrawlinson.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.kerryrawlinson.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.kerryrawlinson.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kerryrawlinson.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=962"}],"version-history":[{"count":92,"href":"https:\/\/www.kerryrawlinson.com\/index.php?rest_route=\/wp\/v2\/pages\/962\/revisions"}],"predecessor-version":[{"id":1653,"href":"https:\/\/www.kerryrawlinson.com\/index.php?rest_route=\/wp\/v2\/pages\/962\/revisions\/1653"}],"wp:attachment":[{"href":"https:\/\/www.kerryrawlinson.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=962"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}